barbaradewilde.com

<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	>

<channel>
	<title>barbaradewilde.com</title>
	<link>http://barbaradewilde.com</link>
	<description>barbaradewilde.com</description>
	<pubDate>Wed, 22 Feb 2012 19:45:45 +0000</pubDate>
	<generator>http://barbaradewilde.com</generator>
	<language>en</language>
	
		
	<item>
		<title>music</title>
				
		<link>http://barbaradewilde.com/music-1</link>

		<comments>http://barbaradewilde.com/following/barbaradewilde.com/music-1</comments>

		<pubDate>Wed, 22 Feb 2012 19:45:45 +0000</pubDate>

		<dc:creator>barbaradewilde.com</dc:creator>
		
		<category><![CDATA[packaging, design]]></category>

		<guid isPermaLink="false">882346</guid>

		<description>Nonesuch Records is a remarkable label with a list of artists that range form John Adams to Wilco. Over the years I have art directed and designed branding and packaging for many of the recording artists on the Nonesuch label.

&#60;img src="http://payload.cargocollective.com/1/2/72338/882346/frisell-east-west_o.jpg" width="338" height="304" width_o="338" height_o="304" src_o="http://payload.cargocollective.com/1/2/72338/882346/frisell-east-west_o_o.jpg" data-mid="14562014"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882346/kremer-de-profundis.jpg" width="338" height="300" width_o="338" height_o="300" src_o="http://payload.cargocollective.com/1/2/72338/882346/kremer-de-profundis_o.jpg" data-mid="14562019"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882346/newman-harps-and-angels.jpg" width="338" height="293" width_o="338" height_o="293" src_o="http://payload.cargocollective.com/1/2/72338/882346/newman-harps-and-angels_o.jpg" data-mid="14562021"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882346/mehldau-live-in-tokyo_o.jpg" width="338" height="307" width_o="338" height_o="307" src_o="http://payload.cargocollective.com/1/2/72338/882346/mehldau-live-in-tokyo_o_o.jpg" data-mid="14562023"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882346/veirs-year-of-meteors_o.jpg" width="338" height="304" width_o="338" height_o="304" src_o="http://payload.cargocollective.com/1/2/72338/882346/veirs-year-of-meteors_o_o.jpg" data-mid="14562025"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882346/frisell-blues-dream_o.jpg" width="338" height="300" width_o="338" height_o="300" src_o="http://payload.cargocollective.com/1/2/72338/882346/frisell-blues-dream_o_o.jpg" data-mid="14562032"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882346/gordon-michael-weather.jpg" width="338" height="287" width_o="338" height_o="287" src_o="http://payload.cargocollective.com/1/2/72338/882346/gordon-michael-weather_o.jpg" data-mid="14562063"  border="0" align="left"/&#62;

2. Photograph by Alexandra Kremer-Khomassouridze 3.Photograph by Autumn deWilde 4. Photograph by Michael Wilson  5. Photograph by Autumn deWilde  6.   Photograph by George Tice  </description>
		
		<excerpt>Nonesuch Records is a remarkable label with a list of artists that range form John Adams to Wilco. Over the years I have art directed and designed branding and...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/2/72338/882346/prt_1293405955.gif" />

	</item>
		
		
	<item>
		<title>Interaction Design MFA</title>
				
		<link>http://barbaradewilde.com/Interaction-Design-MFA</link>

		<comments>http://barbaradewilde.com/following/barbaradewilde.com/Interaction-Design-MFA</comments>

		<pubDate>Sun, 23 Jan 2011 10:48:23 +0000</pubDate>

		<dc:creator>barbaradewilde.com</dc:creator>
		
		<category><![CDATA[Barbara deWilde, music]]></category>

		<guid isPermaLink="false">882338</guid>

		<description></description>
		
		<excerpt></excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/2/72338/882338/prt_1293403961.gif" />

	</item>
		
		
	<item>
		<title>What the Book </title>
				
		<link>http://barbaradewilde.com/What-the-Book</link>

		<comments>http://barbaradewilde.com/following/barbaradewilde.com/What-the-Book</comments>

		<pubDate>Sun, 26 Dec 2010 16:02:26 +0000</pubDate>

		<dc:creator>barbaradewilde.com</dc:creator>
		
		<category><![CDATA[interaction design, exhiition]]></category>

		<guid isPermaLink="false">882343</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/01Site.jpg" width="650" height="388" width_o="650" height_o="388" src_o="http://payload.cargocollective.com/1/2/72338/882343/01Site_o.jpg" data-mid="14560587"  border="0" align="left"/&#62;
WhatTheBook.org  is an interactive poll designed by myself and Tony Chu to provide a space for people to display their feelings about the changing form of books. The site was created in conjunction with the AIGA "50 Books/ 50 Covers" exhibition, an annual showcase of the best in book design. Visitors select AGREE or DISAGREE to seven statements that relate to the function of physical books and ebooks in various scenarios that touch their lives. The statements are as follows:

I silently judge people by their bookshelves.
I would love to be picked up in a bookstore.
A book has made me so angry I've thrown it against the wall.
I would never give an ebook as a gift.
Decorating with books is perverse.
The Internet is as important as sex.
I want to own nothing.

A virtual book is added to a shelf to register the response. In the gallery of the National Design Center in New York, I designed an actual 12 ft. wide bookshelf with fellow grad student Michael Yap where visitors respond to the same statements by shelving a physical book, red books for AGREE and black books for DISAGREE. The data is collected over time and the shelf gets reset after it can hold no more books. 


&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/02shelf_front_view_18.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/02shelf_front_view_18_o.jpg" data-mid="14561273"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/04PeopleAndShelf.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/04PeopleAndShelf_o.jpg" data-mid="14560636"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/05PlacingBookOnShelf.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/05PlacingBookOnShelf_o.jpg" data-mid="14560643"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/06librarycarts.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/06librarycarts_o.jpg" data-mid="14560662"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/07wall-design.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/07wall-design_o.jpg" data-mid="14560672"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/01OverallExhibition.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/01OverallExhibition_o.jpg" data-mid="14560593"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/08chalkboardWithComputer.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/08chalkboardWithComputer_o.jpg" data-mid="14560682"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/09WritingChalkboard.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/09WritingChalkboard_o.jpg" data-mid="14560693"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/10ChalkboardDetail.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/10ChalkboardDetail_o.jpg" data-mid="14560700"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/11LookingatComputers.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/11LookingatComputers_o.jpg" data-mid="14560704"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/12OnLineInteraction.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/12OnLineInteraction_o.jpg" data-mid="14560706"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/14Responses.jpg" width="650" height="479" width_o="650" height_o="479" src_o="http://payload.cargocollective.com/1/2/72338/882343/14Responses_o.jpg" data-mid="14560726"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/15Definition.jpg" width="650" height="461" width_o="650" height_o="461" src_o="http://payload.cargocollective.com/1/2/72338/882343/15Definition_o.jpg" data-mid="14560730"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/16catalog.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/16catalog_o.jpg" data-mid="14560733"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882343/17AIGAsignage.jpg" width="650" height="432" width_o="650" height_o="432" src_o="http://payload.cargocollective.com/1/2/72338/882343/17AIGAsignage_o.jpg" data-mid="14560737"  border="0" align="left"/&#62;

At the end of the interaction on whatthebook.org there is a prompt to write a new definition of "book." Once submitted, the definition can be read and shared. In the gallery, a large chalkboard provides a place for new definitions to be written, edited, and displayed as well. The website feeds definitions to the gallery at the beginning of the day. Today we have collected nearly 1,500 book definitions on the website. The show closes on February 23rd, but the website will remain online through the end of 2012. The second phase of the project will be to analyze the data and share it. You can read the definitions by filling out the form and submitting a definition or by visiting www.whatthebook.org/definition. Your ideas for sharing, preserving or displaying the data are welcome. @badewilde.

design team: (interaction design) Barbara deWilde, Tony Chu, Michael Yap
(exhibition design) Barbara deWilde, Sana Rao
</description>
		
		<excerpt> WhatTheBook.org  is an interactive poll designed by myself and Tony Chu to provide a space for people to display their feelings about the changing form of books....</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/2/72338/882343/prt_1293405827.gif" />

	</item>
		
		
	<item>
		<title>+ food</title>
				
		<link>http://barbaradewilde.com/food</link>

		<comments>http://barbaradewilde.com/following/barbaradewilde.com/food</comments>

		<pubDate>Sun, 26 Dec 2010 15:53:58 +0000</pubDate>

		<dc:creator>barbaradewilde.com</dc:creator>
		
		<category><![CDATA[Michael Pollan cover design, Barbara deWilde book design]]></category>

		<guid isPermaLink="false">882326</guid>

		<description>Cookbook designs, book jackets, and magazine articles about food. 

Martha Stewart Cookies  (book design,) published in 2008 by Clarkson Potter. 
Photography by Victor Schrager.&#60;img src="http://payload.cargocollective.com/1/2/72338/882326/MSCookieslayouts1a.gif" width="670" height="407" width_o="1151" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882326/MSCookieslayouts1a_o.gif" data-mid="4232899"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882326/MSCookieslayouts2a.gif" width="670" height="407" width_o="1151" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882326/MSCookieslayouts2a_o.gif" data-mid="4232958"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882326/MSCookieslayouts3a.gif" width="670" height="407" width_o="1151" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882326/MSCookieslayouts3a_o.gif" data-mid="4232960"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882326/MSCookieslayouts4a.gif" width="670" height="407" width_o="1480" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/882326/MSCookieslayouts4a_o.gif" data-mid="4232962"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882326/MSCookieslayouts5a.gif" width="670" height="407" width_o="1151" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882326/MSCookieslayouts5a_o.gif" data-mid="4232963"  border="0" align="left"/&#62; 


 Food Rules by Michael Pollan (book cover,) published in 2009 by The Penguin Press.
 Photography by Plamen Petkov.&#60;img src="http://payload.cargocollective.com/1/2/72338/882326/Pollan.jpg" width="499" height="600" width_o="499" height_o="600" src_o="http://payload.cargocollective.com/1/2/72338/882326/Pollan_o.jpg" data-mid="4672001"  border="0" align="left"/&#62;


 Julia Child: A Life by Laura Schapiro (book cover,) published in 2009 by Penguin Books.
&#60;img src="http://payload.cargocollective.com/1/2/72338/882326/Julia-Child3.gif" width="453" height="500" width_o="453" height_o="500" src_o="http://payload.cargocollective.com/1/2/72338/882326/Julia-Child3_o.gif" data-mid="4671903"  border="0" align="left"/&#62;


 The Complete Robuchon  (book cover,) published in 2009 by Alfred A. Knopf.
Photography by Victor Schrager.&#60;img src="http://payload.cargocollective.com/1/2/72338/882326/Robouchon.jpg" width="670" height="622" width_o="968" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/882326/Robouchon_o.jpg" data-mid="5014939"  border="0" align="left"/&#62;</description>
		
		<excerpt>Cookbook designs, book jackets, and magazine articles about food.   Martha Stewart Cookies  (book design,) published in 2008 by Clarkson Potter.  Photography by...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/2/72338/882326/prt_1293405683.gif" />

	</item>
		
		
	<item>
		<title>+ case study: MSL redesign</title>
				
		<link>http://barbaradewilde.com/case-study-MSL-redesign</link>

		<comments>http://barbaradewilde.com/following/barbaradewilde.com/case-study-MSL-redesign</comments>

		<pubDate>Sun, 26 Dec 2010 15:53:31 +0000</pubDate>

		<dc:creator>barbaradewilde.com</dc:creator>
		
		<category><![CDATA[Martha Stewart Living redesign, Barbara deWilde magazine design, design]]></category>

		<guid isPermaLink="false">882323</guid>

		<description> Martha Stewart Living redesign: before and after. 
In 2001, the executive creative director and publisher asked me to redesign the magazine to: 1. appeal to a younger reader 2. make the magazine more readable 3. make the projects and recipes less intimidating and 4. make the magazine easier to produce as it grew from ten issues to 14 issues a year. 

&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/EggCupCover.jpg" width="650" height="750" width_o="650" height_o="750" src_o="http://payload.cargocollective.com/1/2/72338/882323/EggCupCover_o.jpg" data-mid="14538810"  border="0" align="left"/&#62;

 New Typeface
The existing magazine used four typefaces: Joanna, Perpetua Italic, and MSL Gothic, with the occasional script. For the redesign I worked with the Hoefler &#38; Frere-Jones type foundry to develop two new and proprietary typefaces that would reduce the number of type styles in the magazine, while increasing their functionality. The first font was the 'workhorse' font, Archer. Archer has a large lower case x-height that makes it easy to read in text sizes, but it also looks beautiful when enlarged in headlines. Redundant subheads were removed throughout the magazine.  &#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Archer.gif" width="568" height="768" width_o="568" height_o="768" src_o="http://payload.cargocollective.com/1/2/72338/882323/Archer_o.gif" data-mid="4264496"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Ask-Martha_BEFORE_BORDER2.gif" width="565" height="700" width_o="565" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/Ask-Martha_BEFORE_BORDER2_o.gif" data-mid="4264685"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/ASK-MARTHA.gif" width="550" height="700" width_o="550" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/ASK-MARTHA_o.gif" data-mid="4264700"  border="0" align="left"/&#62;


 New Layouts 
In the existing magazine the opening pages for front-of-book stories did not have enough variation. In the redesigned magazine, designers could choose from different templates and open a story with a full bleed photo, a smaller inset photo, or multiple images, etc. As often as possible, recipes run in the articles where they are featured instead of in the back of the magazine. &#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Opener-1.gif" width="567" height="700" width_o="567" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/Opener-1_o.gif" data-mid="4256781"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Opener-3.gif" width="567" height="700" width_o="567" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/Opener-3_o.gif" data-mid="4256913"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/opener-2.gif" width="567" height="700" width_o="567" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/opener-2_o.gif" data-mid="4256932"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Opening-5.gif" width="570" height="700" width_o="570" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/Opening-5_o.gif" data-mid="4309986"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Opener-4b.gif" width="567" height="700" width_o="567" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/Opener-4b_o.gif" data-mid="4265663"  border="0" align="left"/&#62;


 Themed Columns 
Some columns like Fit To Eat were themed, but the theme was buried in the first caption. The redesign gives a full page to the dietary idea. On the following pages, the recipes run next to the photo of the dish and the nutritional information is made more visible.  &#60;img src="http://payload.cargocollective.com/1/2/72338/882323/FitToEat-after.gif" width="567" height="700" width_o="567" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/FitToEat-after_o.gif" data-mid="4257025"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/FitToEat2-after.gif" width="567" height="700" width_o="567" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/FitToEat2-after_o.gif" data-mid="4257031"  border="0" align="left"/&#62;

 New Glossaries and Sidebar Style Sheets
MSL is known for its glossaries: apples of all varieties, flowers, tools. In the old magazine these were always photographed in a single image, which was difficult to add type to. The textured backgrounds made the type difficult to read and required a lot of retouching. In the new design, the glossaries could be photographed as silhouettes and the sidebar text styled to highlight more information. &#60;img src="http://payload.cargocollective.com/1/2/72338/882323/glossary-after.gif" width="540" height="700" width_o="540" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/glossary-after_o.gif" data-mid="4697355"  border="0" align="left"/&#62;

 Changes to the feature well and another new typeface 
I introduced another new typeface for use in the well, or main feature section of the magazine. In addition to Archer, the magazine needed an elegant font. In came Surveyor, also designed by the Hoefler &#38; Frere-Jones type foundry. Below, in the well opener, the word 'May' is set in Surveyor. The new photography by Stephen Lewis opened this section with a clean, modern photo that represented the month.
&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/wellOpener-BORDER.jpg" width="670" height="390" width_o="1200" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/wellOpener-BORDER_o.jpg" data-mid="4265945"  border="0" align="left"/&#62;

Changes to the well, continued 
In additional to the typographic changes, the photography became more in focus and graphic. The spreads below show the change in photography as well as the use of Archer and Surveyor as the display typefaces.
&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Coconut-opener.jpg" width="670" height="405" width_o="1158" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/Coconut-opener_o.jpg" data-mid="4266685"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Aster-opener.jpg" width="670" height="419" width_o="1228" height_o="768" src_o="http://payload.cargocollective.com/1/2/72338/882323/Aster-opener_o.jpg" data-mid="4266693"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Roasting-Vegetables_lores.gif" width="670" height="407" width_o="1150" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/Roasting-Vegetables_lores_o.gif" data-mid="4266696"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Marbelizing2.gif" width="670" height="411" width_o="1140" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/882323/Marbelizing2_o.gif" data-mid="4267120"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/882323/Soup1.gif" width="670" height="413" width_o="1132" height_o="699" src_o="http://payload.cargocollective.com/1/2/72338/882323/Soup1_o.gif" data-mid="4310216"  border="0" align="left"/&#62;</description>
		
		<excerpt> Martha Stewart Living redesign: before and after.  In 2001, the executive creative director and publisher asked me to redesign the magazine to: 1. appeal to a...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/2/72338/882323/prt_1293405527.gif" />

	</item>
		
		
	<item>
		<title>Magazines</title>
				
		<link>http://barbaradewilde.com/Magazines</link>

		<comments>http://barbaradewilde.com/following/barbaradewilde.com/Magazines</comments>

		<pubDate>Sun, 26 Dec 2010 15:51:12 +0000</pubDate>

		<dc:creator>barbaradewilde.com</dc:creator>
		
		<category><![CDATA[Martha Stewart Living redsign, Barbara deWilde magazine design]]></category>

		<guid isPermaLink="false">874668</guid>

		<description>Martha Stewart Living, design director, 2000-2003. 
(covers) 1. photograph by Christopher Baker  2. photograph by Antonis Achilleos  3. photograph by Jose´ Picayo  4. photograph by Gentl &#38; Hyers 5. photographs by Christopher Baker&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/MSL-egg-cover_lores.gif" width="582" height="700" width_o="582" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/MSL-egg-cover_lores_o.gif" data-mid="4231388"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/MSLAugust1.gif" width="579" height="700" width_o="579" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/MSLAugust1_o.gif" data-mid="4231601"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/MSLJune1.gif" width="583" height="700" width_o="583" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/MSLJune1_o.gif" data-mid="4231680"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/MSLFeb.gif" width="579" height="700" width_o="579" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/MSLFeb_o.gif" data-mid="4231857"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Martha-gardenCover.gif" width="578" height="700" width_o="578" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Martha-gardenCover_o.gif" data-mid="4309871"  border="0" align="left"/&#62;


Martha Stewart Living (interior spreads) 1. photograph by Stephen Lewis 2. photographs by Dana Gallagher  3. photographs by Jose´ Picayo  4. photographs by Sang An, design by Angie Gubler.  
&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/wellOpener-single1.jpg" width="670" height="412" width_o="1080" height_o="665" src_o="http://payload.cargocollective.com/1/2/72338/874668/wellOpener-single1_o.jpg" data-mid="4295393"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Roasting-Vegetables_lores2.gif" width="670" height="407" width_o="1150" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Roasting-Vegetables_lores2_o.gif" data-mid="4232191"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Aster-opener1_lores.gif" width="670" height="419" width_o="1119" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Aster-opener1_lores_o.gif" data-mid="4232144"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Coconut-opener2.gif" width="670" height="405" width_o="1158" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Coconut-opener2_o.gif" data-mid="4232186"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Marbelizing2.gif" width="670" height="411" width_o="1140" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Marbelizing2_o.gif" data-mid="4295402"  border="0" align="left"/&#62; 



Martha Stewart Baby,  design direction with Debra Bishop, 2000. Martha Stewart Living Omnimedia coordinated new product launchs with special issue publications. Martha Stewart Baby proceeded the baby product line at Kmart by one year.
Cover photograph by Frank Heckers. 
&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Baby-Cover.gif" width="525" height="700" width_o="525" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Baby-Cover_o.gif" data-mid="4233306"  border="0" align="left"/&#62;


Martha Stewart Baby  (interior spreads) 2. photograph by Gentl &#38; Hyers   4. photographs by Minh &#38; Wass  5-6. photographs by Ken Kochey. &#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Baby-TOC.lores.gif" width="670" height="444" width_o="1055" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Baby-TOC.lores_o.gif" data-mid="4233389"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/fob.gif" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/fob_o.gif" data-mid="4408490"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/List.gif" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/List_o.gif" data-mid="4408492"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/boysrm2.gif" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/boysrm2_o.gif" data-mid="4408494"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/party2.gif" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/party2_o.gif" data-mid="4408497"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/acke2.gif" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/acke2_o.gif" data-mid="4408501"  border="0" align="left"/&#62;



Martha Stewart Holiday, design direction with James Dunlinson, 2000. 
(with design by Timothy Hsu.) Cover photograph by Jennifer Tsar. Another brand expansion for MSO, holiday product lines at Kmart, precipitated the publication of Martha Stewart Holiday. 
&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/cover.gif" width="530" height="700" width_o="530" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/cover_o.gif" data-mid="4405482"  border="0" align="left"/&#62;

Martha Stewart Holiday  (interior spreads) 2. photograph by Gentl &#38; Hyers 4. photographs by Jennifer Tsar 5-7. photographs by Gentl &#38; Hyers &#60;img src="http://payload.cargocollective.com/1/2/72338/874668/TOC.gif" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/TOC_o.gif" data-mid="4405489"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/TrickingPT2.gif" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/TrickingPT2_o.gif" data-mid="4406669"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Glossary2.gif" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Glossary2_o.gif" data-mid="4406675"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Makeup1.gif" width="670" height="451" width_o="1037" height_o="699" src_o="http://payload.cargocollective.com/1/2/72338/874668/Makeup1_o.gif" data-mid="4405507"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/TreatingPT2.gif" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/TreatingPT2_o.gif" data-mid="4406673"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Silo3.gif" width="670" height="457" width_o="1025" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Silo3_o.gif" data-mid="4406467"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Treatsspread.jpg" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Treatsspread_o.jpg" data-mid="4405918"  border="0" align="left"/&#62;


House Beautiful  redesign, 2005-2006.
This is the fastest redesign I've undertaken, 2 weeks for development and one month for implementation.
&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/July.gif" width="515" height="700" width_o="515" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/July_o.gif" data-mid="4295014"  border="0" align="left"/&#62;
House Beautiful (interior spreads) 1-3. photographs by David Turner 
4-6. photographs by Henry Leutwyler  7. photographs by Michael Musto  8-11. photographs by Henry Leutwyler 12. photographs by David Turner&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Color2.jpg" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Color2_o.jpg" data-mid="4295015"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/InstantRoom1.jpg" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/InstantRoom1_o.jpg" data-mid="4295017"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Instant-Room2.jpg" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Instant-Room2_o.jpg" data-mid="4295018"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Fabric1.jpg" width="670" height="456" width_o="1050" height_o="715" src_o="http://payload.cargocollective.com/1/2/72338/874668/Fabric1_o.jpg" data-mid="4295020"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Fabric3.jpg" width="670" height="451" width_o="1050" height_o="707" src_o="http://payload.cargocollective.com/1/2/72338/874668/Fabric3_o.jpg" data-mid="4295022"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Fabric5.jpg" width="670" height="457" width_o="1050" height_o="717" src_o="http://payload.cargocollective.com/1/2/72338/874668/Fabric5_o.jpg" data-mid="4295026"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Forks-spread.jpg" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Forks-spread_o.jpg" data-mid="4294979"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Giants-spread1.jpg" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Giants-spread1_o.jpg" data-mid="4294985"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Giants-spread2.jpg" width="670" height="462" width_o="1026" height_o="708" src_o="http://payload.cargocollective.com/1/2/72338/874668/Giants-spread2_o.jpg" data-mid="4294990"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Giants-spread3.jpg" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Giants-spread3_o.jpg" data-mid="4294992"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Pillows-spread.jpg" width="670" height="462" width_o="1026" height_o="708" src_o="http://payload.cargocollective.com/1/2/72338/874668/Pillows-spread_o.jpg" data-mid="4294997"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874668/Pillows-spread2.jpg" width="670" height="457" width_o="1026" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874668/Pillows-spread2_o.jpg" data-mid="4295000"  border="0" align="left"/&#62;</description>
		
		<excerpt>Martha Stewart Living, design director, 2000-2003.  (covers) 1. photograph by Christopher Baker  2. photograph by Antonis Achilleos  3. photograph by Jose´ Picayo ...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/2/72338/874668/prt_1293403401.gif" />

	</item>
		
		
	<item>
		<title>+ best sellers</title>
				
		<link>http://barbaradewilde.com/best-sellers</link>

		<comments>http://barbaradewilde.com/following/barbaradewilde.com/best-sellers</comments>

		<pubDate>Sun, 26 Dec 2010 15:50:08 +0000</pubDate>

		<dc:creator>barbaradewilde.com</dc:creator>
		
		<category><![CDATA[Al Gore design, jacket design, best sellers]]></category>

		<guid isPermaLink="false">874844</guid>

		<description>&#60;img src="http://payload.cargocollective.com/1/2/72338/874844/Geisha.gif" width="670" height="622" width_o="826" height_o="768" src_o="http://payload.cargocollective.com/1/2/72338/874844/Geisha_o.gif" data-mid="7288562"  border="0" align="left"/&#62;1997, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874844/Gore-Assault-On-Reason.gif" width="670" height="622" width_o="968" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874844/Gore-Assault-On-Reason_o.gif" data-mid="4360763"  border="0" align="left"/&#62; 2007, The Penguin Press. (Darren Haggar, art director)

&#60;img src="http://payload.cargocollective.com/1/2/72338/874844/McDougall2.gif" width="670" height="597" width_o="1010" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874844/McDougall2_o.gif" data-mid="4361087"  border="0" align="left"/&#62;2009, Alfred A. Knopf. 

&#60;img src="http://payload.cargocollective.com/1/2/72338/874844/Pollan.gif" width="670" height="667" width_o="903" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874844/Pollan_o.gif" data-mid="4361185"  border="0" align="left"/&#62;2009, The Penguin Press. (Darren Haggar, art director)

&#60;img src="http://payload.cargocollective.com/1/2/72338/874844/Morrison.gif" width="670" height="622" width_o="968" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874844/Morrison_o.gif" data-mid="4361460"  border="0" align="left"/&#62;2008, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874844/GameChange.gif" width="670" height="622" width_o="753" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874844/GameChange_o.gif" data-mid="4447682"  border="0" align="left"/&#62;2010, Harper Collins. (Archie Ferguson, art director)</description>
		
		<excerpt>1997, Alfred A. Knopf.   2007, The Penguin Press. (Darren Haggar, art director)  2009, Alfred A. Knopf.   2009, The Penguin Press. (Darren Haggar, art director) ...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/2/72338/874844/prt_1293404679.gif" />

	</item>
		
		
	<item>
		<title>+ case study: designing a library</title>
				
		<link>http://barbaradewilde.com/case-study-designing-a-library</link>

		<comments>http://barbaradewilde.com/following/barbaradewilde.com/case-study-designing-a-library</comments>

		<pubDate>Sun, 26 Dec 2010 15:35:26 +0000</pubDate>

		<dc:creator>barbaradewilde.com</dc:creator>
		
		<category><![CDATA[Everyman's Library design, series, branding, book design]]></category>

		<guid isPermaLink="false">874850</guid>

		<description>
Everyman’s Library Relaunch
Everyman’s Library was founded in England in1906 with the following mission: ‘to appeal to every kind of reader: the worker, the student, the cultured man, the child, the man and the woman’, so that ‘for a few shillings the reader may have a whole bookshelf of the immortals; for five pounds a man may be intellectually rich for life.’ 

In 1991, Everyman’s Library was relaunched with the help of Random House in the UK and Alfred A. Knopf in the US. The new library featured cloth bindings, acid-free paper, silk ribbon-markers, and new introductions and chronologies by leading scholars and writers. I was asked to redesign the library under the art direction of Carol Devine Carson at Alfred A. Knopf. Today, there are over 300 authors, nearly 500 titles, in the Everyman's Library catalog. Net sales are over 15 million.

logo design, engraved by Christopher Wormell.
&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/Everyman-s-logo.gif" width="478" height="350" width_o="478" height_o="350" src_o="http://payload.cargocollective.com/1/2/72338/874850/Everyman-s-logo_o.gif" data-mid="4306055"  border="0" align="left"/&#62;

 The original series featured two-color stamping and color-coded cloth binding. Each book has a colored cloth binding denoting the period of the work: scarlet = Contemporary Classics (not shown); navy = 20th Century; burgundy = Victorian Literature/19th Century; dark green = Pre-Victorian/Romantic/18th Century; light blue = 17th Century and Earlier; sand = Poetry. 
&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/EL-bindings2.jpg" width="670" height="622" width_o="968" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874850/EL-bindings2_o.jpg" data-mid="4325654"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/EL-bindings.gif" width="670" height="593" width_o="1016" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874850/EL-bindings_o.gif" data-mid="4325562"  border="0" align="left"/&#62;

Contemporary Classics. Each Contemporary Classic title features a duotone of the author overprinted with metallic gold stripes. The stripes unify the series. In the entire Everyman's Library, the spine designs are very decorative to encourage the volumes to be shelved together and, because these are classics and not new publications, the books would most likely be seen spine out in a store or home library.  
&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/ELContemporaries2.gif" width="670" height="622" width_o="968" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874850/ELContemporaries2_o.gif" data-mid="4692109"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/contemporaries-spines5.gif" width="670" height="644" width_o="936" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874850/contemporaries-spines5_o.gif" data-mid="4318146"  border="0" align="left"/&#62;

Pocket Poets. The Pocket Poets series has two jacket styles. The striped color jackets denote  work by a single author. The books with imagery denote compiled themes. Each spine has a different design inspired by the writing. (with art direction by Abby Weintraub and Carol Carson.)
&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/ELPoetry.gif" width="660" height="800" width_o="660" height_o="800" src_o="http://payload.cargocollective.com/1/2/72338/874850/ELPoetry_o.gif" data-mid="4317984"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/ELPoetrySpines3.jpg" width="655" height="800" width_o="655" height_o="800" src_o="http://payload.cargocollective.com/1/2/72338/874850/ELPoetrySpines3_o.jpg" data-mid="4875429"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/new-Poetry4.jpg" width="656" height="800" width_o="656" height_o="800" src_o="http://payload.cargocollective.com/1/2/72338/874850/new-Poetry4_o.jpg" data-mid="4875691"  border="0" align="left"/&#62;

Children's Classics. The Children's Classics series has different colored cloth bindings, black and gold stamping, and tipped-in labels. The cover art is a colorized version of artwork from the interior of the book. The spines are elaborately stamped as well.
&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/children-s-front2.jpg" width="670" height="577" width_o="1044" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874850/children-s-front2_o.jpg" data-mid="4318098"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/ELChildren-s-endpapers.jpg" width="670" height="468" width_o="1002" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874850/ELChildren-s-endpapers_o.jpg" data-mid="4446875"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/children-s-spines3.gif" width="670" height="535" width_o="1082" height_o="865" src_o="http://payload.cargocollective.com/1/2/72338/874850/children-s-spines3_o.gif" data-mid="4460419"  border="0" align="left"/&#62;

Adult Classics. The Everyman's Classics series (updated by Abby Weintraub and Carol Carol) takes the original series design and adds color, metallic gold dots,  and imagery to create a traditional jacket. Below, a jacket I designed for Mary Shelley. The photograph is from the George Eastman Collection.&#60;img src="http://payload.cargocollective.com/1/2/72338/874850/Frankenstein.gif" width="670" height="590" width_o="1021" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874850/Frankenstein_o.gif" data-mid="4339250"  border="0" align="left"/&#62;</description>
		
		<excerpt> Everyman’s Library Relaunch Everyman’s Library was founded in England in1906 with the following mission: ‘to appeal to every kind of reader: the worker, the...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/2/72338/874850/prt_1293401721.gif" />

	</item>
		
		
	<item>
		<title>Books</title>
				
		<link>http://barbaradewilde.com/Books</link>

		<comments>http://barbaradewilde.com/following/barbaradewilde.com/Books</comments>

		<pubDate>Wed, 22 Dec 2010 13:33:10 +0000</pubDate>

		<dc:creator>barbaradewilde.com</dc:creator>
		
		<category><![CDATA[Barbara deWilde, book jacket design]]></category>

		<guid isPermaLink="false">874685</guid>

		<description>I have designed a lot (hundreds) of book jackets over the years, mostly for the Knopf Doubleday Publishing Group, but also for other publishers: Simon and Schuster, FSG, The Penguin Press, W.W. Norton. This edited portfolio includes the work that has won design awards from the American Institute of Graphic Arts, the Type Director's Club, the Art Director's Club, and other graphic design organizations...(or they are my favorites.) 

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Altmann-s-Tongue2.gif" width="670" height="624" width_o="965" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Altmann-s-Tongue2_o.gif" data-mid="4196433"  border="0" align="left"/&#62;1990, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Frog-Hospital.gif" width="670" height="626" width_o="963" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Frog-Hospital_o.gif" data-mid="4196447"  border="0" align="left"/&#62;1994, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Winchell2.gif" width="670" height="617" width_o="977" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Winchell2_o.gif" data-mid="4196463"  border="0" align="left"/&#62;1994, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/The-Old-Moderns-Front.gif" width="670" height="614" width_o="981" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/The-Old-Moderns-Front_o.gif" data-mid="4196529"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/The-Old-ModernsBack.gif" width="670" height="614" width_o="981" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/The-Old-ModernsBack_o.gif" data-mid="4196564"  border="0" align="left"/&#62;1994, Alfred A. Knopf. 

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Revolution-of-Little-Girls.gif" width="670" height="612" width_o="985" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Revolution-of-Little-Girls_o.gif" data-mid="4197231"  border="0" align="left"/&#62;1991, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Quarrel-and-Quandary.gif" width="670" height="617" width_o="2048" height_o="1888" src_o="http://payload.cargocollective.com/1/2/72338/874685/Quarrel-and-Quandary_o.gif" data-mid="4196597"  border="0" align="left"/&#62;2000, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Milk.gif" width="670" height="644" width_o="988" height_o="950" src_o="http://payload.cargocollective.com/1/2/72338/874685/Milk_o.gif" data-mid="4197299"  border="0" align="left"/&#62;2008, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Englander.jpg" width="670" height="610" width_o="988" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Englander_o.jpg" data-mid="4221760"  border="0" align="left"/&#62;1999, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Ministry-of-Special-Cases.gif" width="670" height="674" width_o="819" height_o="825" src_o="http://payload.cargocollective.com/1/2/72338/874685/Ministry-of-Special-Cases_o.gif" data-mid="4221764"  border="0" align="left"/&#62;2007, Alfred A. Knopf, Calligraphy by Yomar Augusto.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/HandbookForDrowning.jpg" width="670" height="612" width_o="985" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/HandbookForDrowning_o.jpg" data-mid="4221809"  border="0" align="left"/&#62;1992, Alfred A. Knopf, photograph by David Barry, designed with Chip Kidd.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Didion.gif" width="670" height="631" width_o="955" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Didion_o.gif" data-mid="4221849"  border="0" align="left"/&#62;1996, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Birds-of-America.gif" width="670" height="577" width_o="1077" height_o="928" src_o="http://payload.cargocollective.com/1/2/72338/874685/Birds-of-America_o.gif" data-mid="4221859"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Birds-of-America2.gif" width="670" height="577" width_o="1077" height_o="928" src_o="http://payload.cargocollective.com/1/2/72338/874685/Birds-of-America2_o.gif" data-mid="4337469"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Birds-of-America3.gif" width="670" height="577" width_o="1077" height_o="928" src_o="http://payload.cargocollective.com/1/2/72338/874685/Birds-of-America3_o.gif" data-mid="4337492"  border="0" align="left"/&#62;1998, Alfred A. Knopf. The only artwork that appears on the book is the sticker. There were three different bird stickers.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Undertaking.gif" width="670" height="621" width_o="971" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Undertaking_o.gif" data-mid="4221884"  border="0" align="left"/&#62;Originally published in 1999, updated in 2009, W.W. Norton, photograph by Stephen Lewis.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Dreamofthe-Wolf.gif" width="670" height="622" width_o="826" height_o="768" src_o="http://payload.cargocollective.com/1/2/72338/874685/Dreamofthe-Wolf_o.gif" data-mid="6264278"  border="0" align="left"/&#62;1990, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Wife.gif" width="670" height="622" width_o="968" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Wife_o.gif" data-mid="4221956"  border="0" align="left"/&#62;2003, Scribner.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/ELPoetry.jpg" width="660" height="800" width_o="660" height_o="800" src_o="http://payload.cargocollective.com/1/2/72338/874685/ELPoetry_o.jpg" data-mid="4222036"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/ELPoetrySpines3.jpg" width="655" height="800" width_o="655" height_o="800" src_o="http://payload.cargocollective.com/1/2/72338/874685/ELPoetrySpines3_o.jpg" data-mid="4875720"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/new-Poetry4.jpg" width="656" height="800" width_o="656" height_o="800" src_o="http://payload.cargocollective.com/1/2/72338/874685/new-Poetry4_o.jpg" data-mid="4875739"  border="0" align="left"/&#62;
1994, Alfred A. Knopf, with art direction by Carol Devine Carson and Abby Weintraub.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/LoveToday.gif" width="670" height="622" width_o="968" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/LoveToday_o.gif" data-mid="4222287"  border="0" align="left"/&#62;2008, Simon and Schuster

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Raffel.gif" width="670" height="622" width_o="968" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Raffel_o.gif" data-mid="4230537"  border="0" align="left"/&#62;1995, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/AIGAAnnual2.jpg" width="670" height="508" width_o="1007" height_o="765" src_o="http://payload.cargocollective.com/1/2/72338/874685/AIGAAnnual2_o.jpg" data-mid="4338475"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/AIGAAnnual2.gif" width="670" height="317" width_o="1478" height_o="700" src_o="http://payload.cargocollective.com/1/2/72338/874685/AIGAAnnual2_o.gif" data-mid="4230548"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/AIGAAnnual3.gif" width="670" height="410" width_o="919" height_o="563" src_o="http://payload.cargocollective.com/1/2/72338/874685/AIGAAnnual3_o.gif" data-mid="4230565"  border="0" align="left"/&#62;2003, American Institute of Graphic Arts annual. This book was commissioned to showcase a year of award-winning design as well as to announce the inception of an online archive of design winners from years past, present, and into the future.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Nabokov.jpg" width="670" height="561" width_o="1074" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Nabokov_o.jpg" data-mid="4338485"  border="0" align="left"/&#62;2009, Vintage Books. Art director John Gall invited 21 designers to create cover art using specimen boxes for the Nabokov backlist. 

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/SecretHistory-front.gif" width="670" height="561" width_o="1074" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/SecretHistory-front_o.gif" data-mid="4361256"  border="0" align="left"/&#62;&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Secret-History-back.gif" width="670" height="567" width_o="1062" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Secret-History-back_o.gif" data-mid="4361251"  border="0" align="left"/&#62;(designed with Chip Kidd) 1992,  Alfred A. Knopf. Time magazine design of the year.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/crime.gif" width="670" height="655" width_o="920" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/crime_o.gif" data-mid="4875818"  border="0" align="left"/&#62;1995, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Egan.gif" width="670" height="622" width_o="826" height_o="768" src_o="http://payload.cargocollective.com/1/2/72338/874685/Egan_o.gif" data-mid="6264273"  border="0" align="left"/&#62;2010, Alfred A. Knopf.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/PlayingWithMyCat.gif" width="670" height="622" width_o="826" height_o="768" src_o="http://payload.cargocollective.com/1/2/72338/874685/PlayingWithMyCat_o.gif" data-mid="6264283"  border="0" align="left"/&#62;2011, Pantheon Books.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Canterbury-Tales.gif" width="670" height="622" width_o="826" height_o="768" src_o="http://payload.cargocollective.com/1/2/72338/874685/Canterbury-Tales_o.gif" data-mid="8753104"  border="0" align="left"/&#62;2011, W. W. Norton.

&#60;img src="http://payload.cargocollective.com/1/2/72338/874685/Gass.gif" width="670" height="601" width_o="1003" height_o="900" src_o="http://payload.cargocollective.com/1/2/72338/874685/Gass_o.gif" data-mid="13039651"  border="0" align="left"/&#62;2012, Alfred A. Knopf.</description>
		
		<excerpt>I have designed a lot (hundreds) of book jackets over the years, mostly for the Knopf Doubleday Publishing Group, but also for other publishers: Simon and Schuster,...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

		<media:thumbnail url="http://payload.cargocollective.com/1/2/72338/874685/prt_1293401544.gif" />

	</item>
		
	</channel>
</rss>